Reading Challenge Update: July Winner and August Preview

Congratulations to everyone who participated in the July Reading Challenge! Our July winner is Abhigna Police, who won a Paws READ poster. To be eligible for a prize drawing, make sure to read a book that fits the month’s theme and then tell us about it.

This month, we challenged you to read a book of short stories, essays, or poetry. Here are a few of the books you read! (Comments may have been edited for length or clarity.)

What You Read in July

Cover of The Hill We Climb

The Hill We Climb: An Inaugural Poem for the Country, Amanda Gorman
Find it at Snell Library | Read the e-book

“This poem reminds me that even in the darkest times, there’s always a spark of light. Gorman’s voice is powerful but gentle, commanding attention without shouting.” — Aanshi


Cover of Bad Feminist

Bad Feminist: Essays, Roxanne Gay
Find it at Snell Library | Find it at F.W. Olin Library

“Some of the essays felt a little contradictory. I did like the book, as it gave me a new perspective, but I was hoping for more data than opinion.” — Brooke


Cover of The Serviceberry

The Serviceberry: Abundance and Reciprocity in the Natural World, Robin Wall Kimmerer
Find it at Snell Library | Find it at F.W. Olin Library | Read the e-book | Listen to the audiobook

“This is the newest of Dr. Kimmerer’s books, and I really needed the message of reciprocity, mutual flourishing, and abundance right now. Dr. Kimmerer’s writing is absolute artistry. She clearly notices and appreciates the connectedness of life. I read this right after reading Ezra Klein and Derek Thompson’s Abundance, and I really needed something that was less policy-minded and more dedicated to beauty. This was the perfect companion!” — Sam

Cover of I, Robot

I, Robot, Isaac Asimov
Find it at F.W. Olin Library

“I had a really fun time reading I, Robot. It explores technology and ethics through fun little machine stories. One of my favorites was about a robot named Cutie, who decides that humans couldn’t have built him, and instead creates his own belief system centered around a greater power. As someone in tech and engineering, these stories really made me think about robots and how they can reflect human nature.” — Shree

Cover of Unaccustomed Earth

Unaccustomed Earth, Jhumpa Lahiri
Find it at F.W. Olin Library

“I typically don’t enjoy short stories, but I will read anything by Jhumpa Lahiri, and this book made me consider reading more short stories. Lahiri is a master storyteller and keeps culture at the forefront of it all.” — Rachel

Suggested Reads for August

Your August challenge is to read a book translated from another language. Check out our recommended e-book and audiobook titles in Libby, or stop by the Snell Library lobby from 1 – 3 p.m. on Wednesday, August 13, and Thursday, August 14, to browse print books and pick up Reading Challenge swag!

Cover of Butter

Butter: A Novel of Food and Murder, Asako Yukuzi (translated by Polly Barton)
Find it at Snell Library | Read the e-book

Gourmet cook Manako Kajii sits in the Tokyo Detention House convicted of the serial murders of lonely businessmen. The case has captured the nation’s imagination, but Kajii refuses to speak with the press, entertaining no visitors. That is until journalist Rika Machida writes a letter asking for her recipe for beef stew, and Kajii can’t resist writing back. As visits unfold between Rika and the steely Kajii, Rika begins to wonder: do she and Kajii have more in common than she once thought?

Cover of The Café with No Name

The Café with No Name, Robert Seethaler (translated by Katy Derbyshire)
Listen to the audiobook

Summer 1966. Raised in a home for war orphans, Robert Simon has grown into a warm-hearted, hard-working, and determined man. When the former owners of the corner café in Vienna’s Carmelite market square shutter the business, Robert sees that the chance to realize his dream has arrived. The place, dark and dilapidated, is in a poor neighborhood of the Austrian capital, but the air is filled with a desire for renewal. Robert refurbishes the café and customers arrive. Some are in search of company, others long for love, and some seek a place where they can feel understood. As the city is transformed, Robert’s café becomes at once a place of refuge and one from which to observe, mourn, and rejoice.

Cover of The Empusium

The Empusium: A Health Resort Horror Story, Olga Tokarczuk (translated by Antonia Lloyd-Jones)
Find it at Snell Library | Find it at F.W. Olin Library | Listen to the audiobook

September 1913. A young Pole suffering from tuberculosis arrives at Wilhelm Opitz’s Guesthouse for Gentlemen in the village of Görbersdorf, a health resort in the Silesian mountains. Every evening, the residents gather in imbibe the hallucinogenic local liqueur and debate the great issues of the day. Meanwhile, disturbing things are happening in the guesthouse and the surrounding hills. Someone—or something— seems to be watching, attempting to infiltrate this cloistered world. Little does the newcomer realize, as he tries to unravel both the truths within himself and the mystery of the sinister forces beyond, that they have already chosen their next target.

Cover of My Name is Emilia del Valle

My Name is Emilia del Valle, Isabel Allende (translated by Frances Riddle)
Listen to the audiobook

In San Francisco in 1866, an Irish nun, abandoned following a torrid relationship with a Chilean aristocrat, gives birth to a daughter named Emilia del Valle. Raised by a loving stepfather, Emilia grows into an independent thinker and a self-sufficient young woman. As an adult, Emilia becomes a journalist, convincing an editor at The Daily Examiner to hire her. When an opportunity arises to cover a brewing civil war in Chile, she seizes it, and as the war escalates, Emilia finds herself in extreme danger, fearing for her life and questioning her identity and her destiny.

Cover of The Morning Star

The Morning Star, Karl Ove Knausgaard (translated by Martin Aitkin)
Read the e-book

One long night in August, Arne and Tove are staying with their children in their summer house in southern Norway. Their friend Egil has his own place nearby. Kathrine, a priest, is flying home from a Bible seminar, questioning her marriage. Journalist Jostein is out drinking for the night, while his wife Turid, a nurse at a psychiatric care unit, is on a night shift when one of her patients escapes. Above them all, a huge star suddenly appears blazing in the sky. It brings with it a mysterious sense of foreboding. Strange things start to happen as nine lives come together under the star.

Whatever you read, make sure to tell us about it to enter the August prize drawing. Good luck, and happy reading!

Box By Box: Inventorying the Boston Globe Big Dig Records

The Big Dig, a major infrastructure project that aimed to improve traffic flow, dominated the Boston area throughout its construction for 15 years and led to countless articles and columns in the Boston Globe. Former Globe reporters and editors Tom Palmer and Sean Murphy, who both worked at the newspaper for over 30 years, donated their extensive records to the Northeastern University Archives and Special Collections, providing a glimpse into the planning and construction of the Big Dig project. (NUASC holds multiple other collections relating to the Big Dig, as well.)

Aries Peralta, wearing a black jacket, gray baseball cap, and glasses, pulls a box off a shelf in the archives
Aries Peralta works in the Archives and Special Collections. Photo courtesy of Molly Brown

The initial planning of the Big Dig, officially named the Central Artery/Tunnel Project, began in 1982 and actual construction occurred from 1991-2006. The donated records contained articles by both Palmer and Murphy, as well as a third reporter, Charles Sennott.

I find this collection interesting because it is not just a compilation of articles published in the Boston Globe; it consists of the research and reference materials amassed for use in reporting on the issues surrounding the Big Dig. The records reveal the vast context and information a journalist would need to know in order to write cohesive articles, including contracts, technical reports, financial statements, photographs, maps, articles from other news sources, and more.

Below are some selected items to highlight the extent of the collection.

Big Dig Contract Map

Map of Boston with different colored lines representing streets and highways. Various area are labeled with contract numbers


The contracts in progress map is a snapshot of the various contracts happening at one time in downtown Boston and serves as a great visualization of the contracts’ physical locations. It also helps associate the technical contract number with the more publicly known name of any given section of the project, such as the Ted Williams Tunnel identified as contract number C07A1.

The Big Dig Blame Game

Illustrated graphic of a man standing behind a podium, with the neck and tongue of a snake. He is holding a megaphone and is surrounded by a red curtain and creepy clowns driving bumper cars, one of which is holding a shovel. A yellow banner at the top reads "The BIG Dig"


As Massachusetts Governor from 1997-2001, Paul Cellucci was the subject of countless voiced opinions about his tenure and leadership during the Big Dig project. This image of Cellucci as a snake accompanied an article published in a 2000 issue of Boston Magazine that suggested cost overruns were caused by a collective failure of key players, including Cellucci, for not properly managing the project.

A Fifth-Grader’s Opinion on the Big Dig

A piece of notebook paper with a letter written in a child's handwriting: "9/15/97 Dear Globe, I've never seen the big dig but I think it should help Boston. It is horrible traffic in Boston. If the big dig dosn't help it will seem like a wast of 10 billion dollars. Joey LeBlanc Medfield Ma. Dale St. School Grade 5"


Often stuck in traffic with their parents or simply by living in nearby neighborhoods, local students were also affected by the Big Dig project. The Student Newsline section in the Boston Globe presented an opportunity for students to send in their own opinions about the project. Many students offered their own ideas to quickly finish and reduce the costs of the project.

2006 Ceiling Collapse

A gloved hand holds a tape measure to a concrete ceiling, measuring the length of screws sticking down.
A worker stands in a crawlspace above the ceiling of a tunnel, surrounded by concrete and bars.












Reporting on the construction of the Big Dig included documenting tragedies. In 2006, a ceiling panel fell on a car in the Fort Point Channel Tunnel, killing a passenger and injuring the driver. Their family and the public wanted answers as to how the incident could have occurred. As a result, the Boston Globe undertook an in-depth investigation to report and provide answers. These photographs may have been taken to document the other ceiling panels in the rest of the tunnel after the accident occurred.

To learn more about accessing the Boston Globe Big Dig records, email the Northeastern University Archives and Special Collections at archives@northeastern.edu.

Aries Peralta (he/him) recently graduated from Simmons University with an MS in Library and Information Science with a concentration in archives management. He received his BA in history from the University of Connecticut.

Issue and Inquiry and Urban Confrontation: Two Radio Programs Covering Urban Issues in Uncertain Times

Two radio program collections available in the Digital Repository Service (DRS) — Issue and Inquiry and Urban Confrontation — document social progress and unrelenting difficulties within American cities in 1970-71. Airing on Northeastern University’s radio station WRBB, the programs were produced the university’s now-defunct Division of Instructional Communication. (Urban Confrontation noted that it ended in 1971 for financial reasons.)

Black and white image of two students sitting in a recording studio. They are wearing headphones and sitting at a table while surrounded by 1960s-era recording equipment
Students working in the WRBB (then WNEU) radio station in 1969. Photo courtesy of Northeastern University Archives and Special Collections.

Episodes were primarily hosted by Joseph R. Baylor and feature interviewees from across the United States discussing wide-ranging topics. From the threat of nuclear warfare to the farm labor rights movement, from the “longhair” youth subculture to de-facto school segregation, these episodes present a sweeping view of both common anxieties and optimistic ideas about the future of city life.

As a metadata assistant in Digital Production Services, I performed a survey of the episodes and their associated metadata records. This helped me understand how descriptive information should appear in the DRS. For example, I investigated how titles, creators, subjects, and abstracts should be recorded for each episode. Next, I created an editing plan, performed batch edits, and carefully listened to each episode. As I listened, I recorded accurate information about the episodes so it could be updated in the DRS.

I selected two interesting episodes to highlight here, but be sure to check out the full collection for more episodes.

Oil in Santa Barbara: The Pollution Tragedy (Issue and Inquiry, Episode 10)

In this episode from 1970, Al Weingand, Bob Solan, and Dick Smith discuss a Union Oil offshore drilling well explosion that occurred on January 28, 1969, expelling two million gallons of uncontrolled oil into Santa Barbara Channel off the coast of California. Topics include the oil’s effect on tourism, local economy, wildlife, fishing, and environmental safety concerns.

Weingand, a Santa Barbara resident and former California legislative member, explains that no other disasters can compare to the devastation of the oil pollution. Smith, a reporter for the Santa Barbara News Press, calls for greater investment in tourist value of beaches, saying that offshore oil well spills are dangerous both environmentally and economically. Solan, another reporter for the News Press, covers the psychological benefits of beautiful surroundings for Santa Barbara residents.

This episode was produced in a time of evolving standards for environmental safety and presents an intimate view of lives affected by oil pollution.

Afro-American Culture: The Black Artist Unchained (Urban Confrontation, Episode 11)
Elma Lewis, a Black woman with dark hair in a bun, stands in front of flowers with a huge smile on her face. Her hands are clasped over her chest.
Elma Lewis candid. Courtesy of the National Center of Afro-American Artists records (M42) at Northeastern University Archives and Special Collections.

“The business that I am about is resurrecting that dormant conscious pride that Black people have had and should have.” — Elma Lewis (4:57)

In this episode, airing in 1970, arts educator and activist Elma Lewis discusses the intertwined histories of Black labor and Black cultural impact in America. She speaks critically of modern art because she says it lacks a basis in life experience. This, Lewis explains, is why Black contributions to American culture transcend art and extend to labor and life experience, which has formed the basis of American society. Throughout the program, Baylor asks Lewis to respond to common racist comments about Black culture. Despite Baylor’s insistence that Lewis speak to his white audience, she intentionally denies this request. Laughing, she replies, “I don’t answer nonsense. I’m not in the business of answering nonsense.”

For more information on Elma Lewis, explore the DRS. More materials from the Elma Lewis collections (Elma Ina Lewis papers, Elma Lewis School of Fine Arts records) are expected to be available in the DRS in 2026.

I wanted to highlight these two episodes because they made me think deeply about both everyday problems and large socio-political injustices which continue to affect us today. “Oil in Santa Barbara” presents opinions from concerned community members in California. It focuses on their reaction to environmental pollution, showing common anxieties about business success, health, and the beauty of their local natural environment. By contrast, “Afro-American Culture” features distinguished Black arts educator Elma Lewis. She discusses fine arts movements, while also celebrating Black joy and artistry in the face of wide-scale systemic racism.

I greatly enjoyed the opportunity to help make these shows available in the DRS. Both Issue and Inquiry and Urban Confrontation hold potential research value for those interested in viewing snapshots of American life in the early 1970s.

Chelsea McNeil served as a part-time metadata assistant in Digital Production Services.

What is the DRS and who is it for?

What is the DRS?

The Digital Repository Service (DRS) is an institutional repository that was designed by the Northeastern University Library to help members of the Northeastern community organize, store, and share the digital materials that are important to their role or responsibilities at the university. This can include scholarly works created by faculty and students; supporting materials used in research; photographs and documents that represent the history of the community; or materials that support the day-to-day operations of the university.

While the DRS itself is a technical system that stores digital files and associated information to help users find what they need, we also consider the DRS to be a service for the university community: library staff are here to help you organize, store, share, and manage the digital materials that have long-lasting value for the university community and beyond.

Result listing in the DRS for a report titled "Exploring the Effectiveness of Bite-Sized Learning for Statistics via TikTok" and includes metadata and an image of the report
Published research from the Northeastern community available in the DRS.

Northeastern is not alone in this endeavor. Repository services are now standard practice for most academic institutions, including Harvard University Library (who also use the name “Digital Repository Service”), Stanford University Library (a leader in technical development for repository systems), Tufts Libraries, and other institutions around the world.

Who uses the DRS?

The DRS has been used by faculty, staff, students, and researchers from all corners of the university community for 10 years. There are too many use cases to mention in one brief blog post, but here are some trends we’ve seen in what users choose to deposit the last few years.

Data visualization from a research publication, containing multiple styles of data depiction
Fang, D., et.al. Bottom-up estimates of floor area and embodied carbon patterns in the US building stock. Presentation.
  • Open access copies of research publications, as well as working papers and technical reports
  • Publications and data that supports published research
  • Event recordings, photographs, newspapers, and almost any kind of material you can think of to support the day-to-day operations and activity at the university
  • Student research projects and classwork, like oral histories and research projects. Students are also required to contribute their final version of their thesis or dissertation.
  • Digitized and born-digital records from the Archives and Special Collections, including photographs, documents, and audio and video recordings

These files, and all the other audio, video, document, and photograph files in the DRS, have been viewed or downloaded 11.2 million times since the DRS first launched in 2015. Nearly half of the files in the DRS are made available to the public and are therefore available for the wider world to discover. Materials in the DRS have been cited in reporting by CNN, Pitchfork, WBUR, and Atlas Obscura, among others, and are regularly shared on social media or in Reddit threads. As a result, Northeastern continues to contribute the work produced here to the larger scholarly and cultural record, and to the larger world.

Who supports the DRS?

The day-to-day work managing, maintaining, and supporting users of the service comes from staff in Digital Production Services:

  • Kim Kennedy supervises the digitization of physical materials and processing of born-digital and digitized materials.
  • Drew Facklam and Emily Allen create and maintain the descriptive metadata that helps you find what you need.
  • And all of us in the department, including part-time staff, are responsible for general management of the system, including batch ingesting materials, holding consultations and training sessions, answering questions, and leading conversations about how to improve the system and the service.
Two people stand in front of a presentation with a screenshot of the DRS behind them
Sarah Sweeney and David Cliff, DRS staff, posing in 2015 with the homepage of the recently launched DRS. 

The DRS is also supported by a number of library staff members across the library:

  • David Cliff, Senior Digital Library Developer in Digital Infrastructures, is the DRS’ lead developer and system administrator.
  • Ernesto Valencia and Rob Chavez from the Library Technology Services and Infrastructure departments also provide development support and system administration.
  • Many librarians in the Research and Instruction department do outreach about the service and support faculty as they figure out how to use it in their work.
  • Jen Ferguson from Research Data Services also connects faculty and researchers to the DRS, while also providing data management support for those wishing to use the DRS to store their data.
  • Members of the library administration, including Dan Cohen, Evan Simpson, Tracey Harik, and the recently retired Patrick Yott have contributed their unwavering support and advocacy for developing and maintaining system an service.

We are all here to help you figure out how the DRS may be used to make your work and academic life easier. To dive deeper into what the DRS is and how to use it, visit the DRS subject guide or contact me or my team.

The library is celebrating 10 years of the DRS! Check out A Decade of the Digital Repository Service to read more about the history of the DRS.

Reading Challenge Update: June Winner and July Preview

The June Reading Challenge winner is Sam Nussbaum at Northeastern’s Seattle campus! Congratulations to Sam, who won a gift card to the Elliott Bay Book Company, a historic independent bookstore based in Seattle’s Capitol Hill district.

And a huge congratulations to everyone who read a Reading Challenge book in June! To be eligible for the prize drawing, make sure to read a book that fits the month’s theme and then tell us about it. In June, we asked you to read a story of resistance. Here are some of the books you read this month! (Comments may have been edited for length or clarity.)

What You Read in June

Cover of The Lilac People

The Lilac People: A Novel, Milo Todd
Listen to the audiobook

“A good read. Heart wrenching for sure. I would have liked an author’s note at the end about which (if any) aspects of the story are real, as with other historical fiction. A story of resistance, for sure, and a reminder to stand up early and often.” — Jodi

Cover of Parable of the Sower

Parable of the Sower, Octavia E. Butler
Find it at Snell Library | Find it at F.W. Olin Library | Read the e-book | Listen to the audiobook

“I’m kicking myself for not reading this sooner! American society is rapidly collapsing and the narrator is trying to find a better way to live than just surviving. She fights against the collapse by attempting to build a religion and a new kind of community. It’s engaging and harrowing, and somehow incredibly relevant, even now, 30 years after it was originally published.” — Sarah

Cover of Mistborn

Mistborn, Brandon Sanderson
Read the e-book

“Incredible world building, interesting characters, fascinating magic system. It’s easy to see why Sanderson is so acclaimed.” — Arjun


Cover of The Dream Hotel

The Dream Hotel, Laila Lalami
Listen to the audiobook

“Set in a near-future world where dreams are monitored by the government, The Dream House follows Sara Hussein, whose private thoughts suddenly make her a national threat. The writing is clear, gripping, and emotionally resonant, weaving together themes of surveillance, identity, and freedom in a way that feels all to real. It’s both a page-turner and a wake-up call — chilling, thought-provoking, and beautifully written.” — Sandy

Cover of Most Ardently

Most Ardently: A Pride & Prejudice Remix, Gabe Cole Novoa
Find it at Snell Library

“This is part of the Remixed Classics series, which reframes classic works of literature to center marginalized identities. Here, the main character is a trans boy named Oliver, who struggles to find ways to live as his true self in a world where he is relentlessly misgendered and pressured to become a wife. This version stays true to the original’s happy ending, and it’s so heartwarming to see Oliver and Darcy find each other.” — Amanda

Suggested Reads for July

This July, we challenge you to read a book of essays, poetry, or short stories. Check out our recommended e-book and audiobook titles in Libby, or stop by the Snell Library lobby from 1-3 p.m. on Wednesday, July 16, and Thursday, July 17, to browse print books and pick up Reading Challenge swag!

Cover of You Like it Darker

You Like it Darker: Stories, Stephen King
Find it at Snell Library | Read the e-book

“You like it darker? Fine, so do I,” writes Stephen King in the afterword to this collection of 12 stories. King is a master of the form, and these stories are as rich and riveting as his novels, both weighty in theme and a huge pleasure to read. King writes to feel “the exhilaration of leaving ordinary day-to-day life behind,” and in You Like it Darker, readers will feel that exhilaration too, again and again.

Cover of Waiting for the Long Night Moon

Waiting for the Long Night Moon, Amanda Peters
Listen to the audiobook

In this intimate collection, Amanda Peters melds traditional storytelling with beautiful, spare prose to describe the dignity of the traditional way of life, the humiliations of systemic racism, and the resilient power to endure. At times sad, sometimes disturbing, but always redemptive, the stories in Waiting for the Long Night Moon will remind you that where there is grief, there is also joy; where there is trauma, there is resilience, and most importantly, there is power.

Cover of Knife

Knife: Meditations After an Attempted Murder, Salman Rushdie
Listen to the audiobook

On the morning of August 12, 2022, Salman Rushdie was standing onstage at the Chautauqua Institution when a man in black rushed down the aisle toward him, wielding a knife. His first thought: So it’s you. Here you are. What followed was a horrific act of violence that shook the literary world and beyond. Now, for the first time, Rushdie relives the traumatic events of that day and its aftermath. Knife is Rushdie at the peak of his powers, writing with urgency, gravity, and unflinching honesty. It is also a deeply moving reminder of literature’s capacity to make sense of the unthinkable, an intimate and life-affirming meditation on life, loss, love, art — and finding the strength to stand up again.

Cover of How to Communicate

How to Communicate: Poems, John Lee Clark
Read the e-book

Deafblind poet John Lee Clark pivots from inventive forms inspired by the Braille slate to sensuous prose poems to incisive erasures that find new narratives in 19th-century poetry. Calling out the limitations of the literary canon, Clark includes path-breaking translations from American Sign Language and Protactile, a language built on touch. How to Communicate embraces new linguistic possibilities that emanate from Clark’s unique perspective and his connection to an expanding, inclusive activist community. Counteracting the assumptions of the sighted and hearing world with humor and grace, Clark finds beauty in the revelations of communicating through touch: “All things living and dead cry out to me / when I touch them.”

Cover of Never Whistle at Night

Never Whistle at Night: An Indigenous Dark Fiction Anthology, Shane Hawk and Theodore C. Van Alst Jr., eds
Find it at Snell Library | Find it at F.W. Olin Library | Listen to the audiobook

Many Indigenous people believe that one should never whistle at night. This belief takes many forms, but what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear — and even follow you home. These wholly original and shiver-inducing tales introduce readers to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge. These stories are a celebration of Indigenous peoples’ survival and imagination, and a glorious reveling in all the things an ill-advised whistle might summon.

Whatever you read, make sure to tell us about it to enter the July prize drawing. Good luck, and happy reading!