Archives and Special Collections

Archives, Historical Records, Special Collections

Research in the Archives: NERFC 2023-2024 Grant Applications Open

Archival photos, books, documents, and papers are spread around a round pink table. A hand on the left side of the frame points to one of the documents.
09/24/19 – BOSTON, MA. – A view of articles and photographs from Northeastern’s archive at Snell Library. Photo by Ruby Wallau/Northeastern University

Northeastern University’s Archives and Special Collections is proud to be a member of the New England Regional Fellowship Consortium (NERFC), which is a collaboration of 31 cultural institutions across New England.

The fellowship program’s aim is to promote research across a wide variety of institutions and regions in New England. NERFC grants at least two dozen awards every year. Fellows receive a stipend of $5,000 with the requirement that they conduct their research in at least three of the participating institutions for periods of two weeks each. The diverse group of institutions in NERFC offer research opportunities in collections that span the region’s time period, from pre–European contact to the present day. Past awards have funded research on a wide array of topics conducted by scholars and independent researchers from across the US.

As one of the participating institutions, we encourage you to apply to make use of our records documenting Boston’s history of social justice activism, neighborhoods and public infrastructure, as well as records from individuals and organizations part of the city’s African American, Asian American, LGBTQA, Latinx, and other communities and make connections between our records and other NERFC institutions’. 

Past NERFC fellows’ projects using Northeastern’s archival collections examined feminist health care centers, gay art and photography in 1970s Boston, links between socialist and feminist thought in Boston, and the history of Black intellectuals, to name a few. 

The Archives and Special Collections encourages researchers in the Northeastern community and beyond to apply to NERFC’s fellowship program by the February 1, 2023, deadline.

Have questions about how to get started? Email Reference and Outreach Archivist Molly Brown: mo.brown@northeastern.edu. 

To learn more about the application requirements and other participating institutions, please visit the New England Regional Fellowship Consortium website.

Remembering Christine McVie: An Interview with Larry Katz

Christine McVie standing in front of a microphone holding three maracas. She has long blonde hair and is wearing black.
Christine McVie
(Photo by Raph_PH, CC BY 2.0 via Wikimedia Commons)

Christine McVie, long-time keyboardist for the band Fleetwood Mac, died at the age of 79 on November 30, 2022. 

Records of McVie’s life and legacy can be found in the Northeastern University Archives and Special Collections’ Larry Katz Tapes, a collection of audio recordings between Boston arts and music writer Larry Katz and numerous musicians from 1980 to 2005. 

This interview with McVie took place shortly after Fleetwood Mac’s fourteenth studio album Tango in the Night was released in 1987, which marked the band’s triumphant return after a five-year hiatus. This hiatus saw the band’s members pursuing solo careers in music, but they ultimately came back together to create more music for, as McVie calls it, “the entity called Fleetwood Mac.” 

Listeners of Katz’s interview can come to understand McVie’s view of the band as something larger than herself or the other members in it. “The end result to me is always magical,” McVie states when asked about the “magic” that Fleetwood Mac imbues on its listeners. Even though she admits that the process can be tedious at times, she also reflects on the “mystical” feeling of listening to a record she could spend an entire year working on. 

In this way, McVie describes the creation of an album “like a painting.” “[We] decide what colors we need, what depth we need, what kind of emotion we need… We sketch it in and fill in the colors as we go along.” 

When asked about her future, McVie states, “I don’t see any reason to stop…I don’t see any reason at all–it’s my life. I don’t know what else I’d do if I didn’t write songs or sing.” 

Source: “Interview with Christine McVie, English singer, songwriter, keyboardist and member of band Fleetwood Mac.” Larry Katz Tapes. University Libraries Archives and Special Collections Department.

Mellon Foundation Awards $505,000 Grant to Extend Funding for the Boston Research Center

Boston Research Center logo

The Northeastern University Library has received a $505,000 grant from the Mellon Foundation to support the final developmental phase of the Boston Research Center. This grant builds upon two previous grants from the Mellon Foundation — which helped Northeastern launch the BRC with a $200,000 planning grant in 2017, and a $650,000 implementation grant in 2019.

“We deeply appreciate the Mellon Foundation’s ongoing support of the Boston Research Center and our library’s efforts to work with the communities that surround Northeastern’s campuses,” said Dan Cohen, Dean of the Northeastern University Library. “Along with our partners in the Boston area, we have learned a great deal about how to express our neighbors’ stories, culture, and history.”

The BRC is dedicated to bringing Boston’s neighborhood and community histories to light through the creation and use of new technologies, allowing Boston residents to share underrepresented stories from city’s past. In its most recent phase, the BRC has focused on specific community projects to help share the stories of these neighborhoods and organizations. The Mellon Foundation’s grant will help develop tools and workflows to curate and disseminate these collections, making them accessible to the community and easy to build upon in future work.

By gathering documents, images, and personal narratives, and creating metadata for community resources, the BRC ensures that everything from public art and oral histories to important neighborhood sights are recorded to help disseminate area history and culture. Recent projects include:

  • The Harriet Tubman Memory House Project, which contains photographs, oral histories, flyers, architectural plans, and other digitized materials that tell the interwoven stories of Boston’s South End neighborhood, the United South End Settlements and Harriet Tubman House, gentrification, community action, and resilience.
  • The East Boston Memoir Project, which contains photographs, oral histories, newspapers, and other digitized materials that make available the history of East Boston.
  • The Neighborhood Public Art Project, which contains an interactive map documenting Boston’s rich and diverse history of public art.
  • The Chinatown Collections Project, which contains historical records documenting the people, organizations, and historical collections of Boston’s Chinatown in a bilingual database.

Located in Northeastern University Library, the BRC is managed by the Archives and Special Collections and the Digital Scholarship Group. It works in collaboration with the Boston Public Library along with many community organizations and individuals.

Library Staff Work with CRRJ to Investigate and Make Accessible 1,000 Records of Racial Homicides in Jim Crow South in New Burnham-Nobles Archive

Last week’s release of the Burnham-Nobles Digital Archive by the Civil Rights and Restorative Justice Project (CRRJ) was a culmination of years of work by both the Northeastern University School of Law and by the Northeastern University Archives and Special Collections.

Black and white image of a Black man wearing a hat and sitting on an old car. Text on the photo reads "Caleb "Picky Pie" Hill 28 Son, Brother, Father, Husband, Irvington Georgia"
Library staff have worked to digitize photos and records of racially motivated homicides in the Jim Crow South, like that of Caleb Hill, Jr., who was murdered by two white men in Georgia in 1949, with the help of local police. The killers were not indicted.

The archive, a comprehensive collection of 1,000 racial homicides that took place in the Jim Crow South between 1930 and 1954, will serve as a tool to shed light on the scope of racial murders during this time frame, their mishandling by local police and authorities, and their effect on the law and politics. It can be found at crrjarchive.org.

The project is the result of 15 years of work, with hundreds of students gathering 20,000 pieces of evidence — items like death certificates, press clippings, law enforcement files, reports from civil rights groups, photographs, and personal stories.

Led by Project Archivist Gina Nortonsmith, staff from the Library’s Archives and Special Collections, Digital Production Services, and Digital Scholarship Group then worked tirelessly to take that raw data and make it searchable, digitizing and cataloging it so that researchers can quickly gather information as they study specific cases or the general trend of anti-Black violence in the Jim Crow south.

“This is one of the most important projects that the Northeastern University Library has been involved with, and I’m proud of the many staff members who have helped to build this essential archive that documents a tragic, unsettling period in America’s history,” said Dan Cohen, Dean of the Library.

The Burnham-Nobles Digital Archive is part of the larger Civil Rights and Restorative Justice Project, whose aim is to educate the public about historical anti-Black racial violence and failures of the criminal justice system, as well as to investigate those cases in which proper justice has not been served. It was founded by Northeastern University Law Professor Margaret Burnham, who serves as its director and recently published the book By Hands Now Known: Jim Crow’s Legal Executioners.

Art and Organized Action in the Context of the AIDS Crisis

A group of protestors hold signs criticizing George HW Bush and demanding AIDS prevention and resources.
“ACT Up members protest George Bush’s response to AIDS,” ca. 1990-1999 ACT Up (Robert Folan Johnson) collection. Northeastern University Archives and Special Collections.

Nearly 30 years removed from the peak of the AIDS crisis, it is difficult for many young queer individuals to imagine not only the fear, but also the organized action that occurred throughout the LGBTQ+ community to rally support for those affected. The 1980s and ’90s especially were filled with opportunities for many within the community to find solace in one another and find their voices to try to change things and improve the lives of those dying from AIDS as well as those who had survived the infection.

But what happened to generate the steadfast work toward saving the lives of those affected by AIDS, or those who have been historically more susceptible to its spread? What finally pushed not only the government to authorize such work, but also pharmaceutical companies to pursue solutions?

Northeastern’s Archives and Special Collections (NUASC) holds a trove of valuable archival collections documenting the organizing efforts of the queer community in Boston during the ’80s and ’90s. The ACT UP/Boston (David Stitt) and ACT UP/Boston (Raymond Schmidt and Stephen Skuce) collections provide information on demonstrations and organizing by ACT UP (AIDS Coalition To Unleash Power). Administrative records exist alongside protest ephemera that can give present-day researchers an idea of the common talking points and demands that were being made regarding AIDS treatment and medication throughout the country at this time.

A bright orange ticket with VIOLATION on the right side. On the left it reads "TO OFFENDER: Reported violence against queers increased by 75% in Boston last year. What was the role of the Boston police in addressing this crime wave? Five serious anti-gay police incidents have been reported since September, and 11% of lesbians and 20% of gay men report being harrased or physically assaulted by POLICE OFFICERS. This notice serves to remind police serving the people of Boston of your responsibility to all citizens regardless of race, sex, or sexual orientation. We are SICK AND TIRED of being beaten up by the police, and we won't be silent. Are you part of the problem, or part of the solution? Failure to reform the police may subject Boston to queer rage." The address is "The Queer Nation, Every House, Every Street, Every City, Every Country."
“Ticket issued by Queer Nation against Boston Police Department,” ca. 1990-1999. ACT UP Boston (Robert Folan Johnson) collection, Northeastern University Archives and Special Collections.

The ACT UP collections are also special because they display the intersection of art and organizing in ways that emphasize the importance of artists being involved in social movements. A striking example is this ticket issued to the Boston Police Department by the group Queer Nation, citing statistics of violence committed by individuals and the BPD against the LGBTQ+ community. Utilizing an item that so many recognize instantly, such as a parking citation, and subverting its purpose to convey information about the institution that issues such citations allowed organizers to gain attention and critically engage the public.

A drawing of three outlined people - one covering their eyes, one covering their ears, and one covering their mouth in the "see no evil, hear no evil, speak no evil" sign, with a question mark in the center. Around the edge, it reads "Is this the policy of the AIDS Action Committee"
“Is this the policy of the AIDS Action Committee?” Front page, ca. 1990. AIDS Action Committee, Inc., records, Northeastern University Archives and Special Collections.

Keith Haring, who has become a symbol of not only the AIDS crisis organizing but queer culture in general, is also present in NUASC’s collections, providing art that emphasized the AIDS Action Committee’s inaction from the perspective of the LGBTQ+ community. Haring’s art is often associated with queer joy and the nuance of queer experience. Seeing Haring’s familiar figures put into conversation with a demand for more action from within the queer community is a unique contrast.

June is a month to celebrate LGBTQ+ individuals and reflect on the past. To learn more about the social organizations working for justice for those with AIDS in Boston, NUASC’s Digital Repository Service and digital exhibition Boston’s LGBTQA+ History are great places to start.

Sources
“ACT UP members protest George Bush’s response to AIDS.” ACT UP Boston (Robert Folan Johnson) collection (Z15-005). University Library Archives and Special Collections Department.
“Ticket issued by Queer Nation against Boston Police Department.” ACT UP Boston (Robert Folan Johnson) collection (Z15-005). University Library Archives and Special Collections Department.
“Is this the policy of the AIDS Action Committee?.” AIDS Action Committee of Massachusetts, Inc., records (M61). University Library Archives and Special Collections Department.