Kundera’s ‘The Hitchhiking Game’

Kundera’s ‘The Hitchhiking Game’ By Damon Griffin Most people know of the book, or at least the film, The Unbearable Lightness of Being, which is Czech author Milan Kundera’s best known work in the western world. This was indeed the first book of his I read, and with great enthusiasm. But this summer I read several more of his writings, which included a short story called ‘The Hitchhiking Game.’ It is this story that I want to focus on for the remainder of this post. Because if you don’t have time to read a novel, or just don’t want to, you can at least read ‘The Hitchhiking Game,’ and your’ exposure to Kundera will be sufficient. The story was originally written in the late 60’s, during a time of immense political turmoil and artistic hope in Czechoslovakia. The ‘Prague Spring’ had been crushed by Russian forces in 1967, but there was still much revolutionary artistic activity happening in literature. I mention this only to point out that ‘The Hitchhiking Game’ was essentially a part of a long rebellion at the time, even though nowadays, it does not read that way. It is just a very weird, clever (maybe too clever) love story to us now. A boy and his girlfriend (referred to throughout as only ‘the boy’ and ‘the girl’) stop for gas during a drive on their vacation; while waiting, the girl goes for a walk down the road and a few minutes later is picked up by her boyfriend; they proceed to play an inside-joke type of game, in which they do not know each other, and the girl is a submissive plaything and the boy is a tough misogynist; the game starts out as mere pretend, but gradually turns genuinely hostile. Yet in a sense, there are several rebellions in this story; the two lovers are rebelling against social norms by the very nature of their game, rebelling against each other by seeing how one-dimensional, shallow and eventually violent they can act towards one another. So in a sense the story is a series of rebellions, though also a character study in the truest sense of the word; the intensely detached tone and constant shift-of focus between the two characters somehow elicits the reader’s sympathy for them. The story can be found in the collection Laughable Loves, alongside a few other memorable Kundera stories.

The Eyre Affair

The Eyre Affair by Jasper Fforde reshaped many of my ideas about reading and books-it’s one of the most creative and fun stories that I have ever read. The Wall Street Journal writes: “Filled with clever wordplay, literary allusion and bibliowit, The Eyre Affair combines elements of Monty Python, Harry Potter, Stephen Hawking and Buffy the Vampire Slayer. But its quirky charm is all its own.” That cover blurb (along with the Jane Eyre title reference) sold me on it. Thursday Next is Fforde’s heroine, and she’s a literary detective in a very unfamiliar version of 1985 England. When arch-villain Acheron Hades kidnaps Jane Eyre from her own novel, Thursday Next is hot on his heels. I’ve really liked Fforde’s subsequent books, but The Eyre Affair is his first, and in my mind, best outing. I think if you’re a bibliophile or a verbivore, it’s hard not to love!

Pinball Wizardry

Once again, the Research & Instruction department held its annual Pinball Tournament. R&I Librarians competed for a deluxe championship prize in this annual event. Previous champion (yours truly) got the contestants on track, made sure flippers worked and that the contestants knew how to find the controls. For 30 minutes, the sounds of pinball filled the room. Winner was Sandy Dunphy, with a top score of 3,915,000 points. I’d post a few photos, but nothing will load them up. Congratulations to Sandy, our new Pinball champion!

The Alibi

I read The Alibi by Sandra Brown.  This is the first book by her that I’ve read, though she’s a pretty popular mystery author.  I actually read an excerpt of it in a magazine many years ago, and it stuck in my head-so when I saw it on the recreational reading shelf, I knew I had to check it out! It’s set in a very sultry Charleston, South Carolina and opens with the murder of wealthy, sleazy real estate magnate, Lute Pettijohn.  Hammond Cross is the young attorney of sterling character and pedigree, who hopes to use the case to cement his ascent to lead prosecutor.  (We learn that in South Carolina, “County Solicitor” is the correct term, in place of “District Attorney”).  Brown weaves together a tangled web of over-the-top Southern characters.  There are intersecting love triangles involving Hammond Cross, his cut-throat professional rival, Pettijohn’s drunken socialite widow, and the obsessive investigating detective.  But the story’s real tension revolves around “the alibi”-Hammond’s rendezvous with a mysterious stranger, who becomes the prime suspect in the Pettijohn case.  And neither she nor he, are about to reveal their relationship.  It’s a legal ethics minefield and probably pretty far-fetched, but I still found The Alibi to be absorbing and exciting. Pick it up to enjoy over the last weekend of summer!