Big Citizenship Discussion with Co-Founder of City Year, Thurs. Oct 14
The time is the roaring 20’s and the setting is Paris. We are introduced to Jake Barnes, an American ex-patriate who has all the world-weariness of a Humphrey Bogart character due to a war injury that left him sexually incompetent. He has been in love with the Lady Brett Ashley ever since the first world war, but he has no way of marrying her due in part to this injury, and due in part to her utter promiscuity. She is engaged to a Scottish man named Mike, but is having an affair with a Count. Also coming in to the picture is Robert Cohn, a Jewish boxer from Princeton who is unhappily married and prone to a victimization complex. Jake’s friend Bill, another American, will be introduced after some time in France, in which all five principle characters– Jake, Bill, Cohn, Lady Brett Ashley and Mike– will rendezvous in Pamplona, Spain, where they are attending the summer fiesta.
That all of these characters–except for the reasonable Bill–are tormented and in several cases pathological people is a testament to the book’s realism. The book is not a work of realism in the sense that it depicts the grittiness of everyday life; indeed, these characters are not everyday people. They appear to have more money on hand than the average person, a more curious intellect (the narrator, Jake, and Cohn are both writers) and in one case (Lady Brett Ashley) come from aristocracy. But they are certainly not extraordinary either; in fact, the point is that each person has been barred from living a truly fulfilling life either by injury (Jake), insecurity (Cohn) or promiscuity (Brett). The story simply details the manifestations of these roadblocks that take place over a year or so. The Sun also Rises is a tragedy after the fact.
The book does have to be read in the context of its time: references to “the War,” casual anti-semitism, even more casual drinking, smoking and scenes featuring horses and carriages as modes of transportation. But the characters seems modern enough to make its occasional datedness secondary. It also makes it somewhat sad. These people are in their 30’s, and yet they often act like teenagers, or people who cannot get over themselves. How many real people does this still apply to? How pessimistically timeless is that?
The book can be found–along with many other Hemingway books– in the fiction section of the library.Keeping up with my Austen kick, another slightly chick lit adaptation that I read recently (this fall) was The Family Fortune by Laurie Horowitz. This modernizing update of Persuasion was recommended to me by a friend. Even though I’m well familiar with the story, I still found myself dying to get back to reading it. Somehow, these stories still manage to generate in me a page-turning suspense.
Seeing as I wrote about Jane Austen yesterday, I wanted to continue in that vein and write a bit more about an Austen spin-off I recently enjoyed. The Jane Austen Book Club by Karen Joy Fowler was published in 2004, but I did not read it until this past summer.
This was a book I had been somewhat interested in, but never felt fully motivated to pick up. Last summer I finally checked it out of the library, and read it while traveling to visit a friend. I became instantly absorbed, and found the novel both humorous and moving. I thought Fowler created a novel that was both innovative and entertaining, and which borrowed from Jane Austen, while still remaining subtle and original. I felt like she was really able to capture Austen’s style and wit, while using her own voice to create fresh stories and characters.
The novel follows the formation of a book club in the
I found The Jane Austen Book Club to be one of those novels that’s just a real pleasure to read, and I’d thoroughly recommend it. (Though, as a houseguest, I did wander off a bit in my eagerness to keep reading!)