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Staff Picks and Suggestions

The Road becomes The Road : Another Pulitzer-winning Fiction becomes a Film (spoiler alert)

I’m concerned. Honestly, I’ve been concerned for a while, ever since I saw the poster for The Road earlier this week. It stars Viggo Mortenson of LOTR fame (featured in the poster with some kid playing his son – whatever, probably some secondary character) and Charlize Theron, of either Monster or Esquire fame, depending on what kind of person you are. Robert Duvall, famous for a bundle of things (basically for being Robert Duvall), is also credited. It’s being touted as being based on the novel by the same guy who wrote No Country For Old Men (Yep, that was a book. By Cormac McCarthy). Heck, said the filmmakers. Let’s throw Guy Pearce in there too. But, who will he be in a story about a man traveling alone on an empty-‘cept-for-bad-guys post-apocalyptic Road? Oh, you know. We’ll think of something. Welcome to the world of Movies. It’s not really the fact that there’s a confusing amount of characters in it, or even that Charlize Theron is in it, or even that the trailer looks uncomfortably like an action-based post-apocalyptic thrills-a-second gunshow type of film that may or may not involve aliens at some point. Although none of that is exactly comforting. I mean, I do like a lot of the cast. I do like that the filmmakers wanted to focus on the effects of the end of the world, and not the cause. I like that they picked one of the most bittersweet scenes (involving -what else? – Coca Cola!); and I like the way they teased you with brief glimpses of those emaciated, helpless victims (of what? of what?!) near the trailer’s climax. I mean, there are things I like. I may be able to get over the fact that they didn’t look nearly as dirty, dissheveled and sickly as someone trekking across North America after a world-decimating disaster should look (and does, in the novel). And I can be open to changing novels’ stories in movie adaptations, to better communicate the idea of the book in film. It’s not that I’m wildly irate that they may be taking one of the few books that I feel have changed my entire outlook on fiction as a whole and turned it into the next dystopian action-adventure. It’s not just that I get a wee bit annoyed when I see shots of Charlize Theron looking like she stepped out of a Maybelline ad, prettily concerned (you know, because that whole life and death thing) and wearing a cute powder blue knit cap (oh, right – nuclear winter) over her perfect hair. Will I be able to stand the fact that they massively expanded her character and I can expect to see a lot more of her in the film than there was of her in the book. Perhaps. You know, I may even manage to get over my fear that all this frenetic-editing and crashing-soundtracking in the trailer will undermine and distract from elements of the book; elements like the feeling of life now as one endless moment of pervasive despair, the image of vast and sinister desolation, and the hopeless, quietly ferocious, indescribable love for his son that keeps The Man’s character from pulling the trigger of their one-bullet gun in this absolutely promiseless world. It’s not about those concerns. But it doesn’t alleviate them either. No, what I really want to know is – Hey, big Movie Advertising Big-Wigs – you’re not marketing this as a cannibalism-driven horror-thriller, the next I am Legend, the next sci-fi-survival hit, the next Resident Evil ?! Guyyyyss, come on! You’re slacking. the-road-poster.jpg Oh, also: I will see it. Without a doubt, I will see it. I will see it as soon as possible, and I will hope to be blown away by the Awesome. If the powerful experience of reading the book has taught me one thing it will be this: be prepared to be touched (sniff). In expectation, I will clear my schedule for a good three days after that so I can be totally free for wild depression, irrationally strong empathy with fictional characters, and an onslaught of existential crises. That’s right: MULTIPLE crises. See? I give the benefit of the doubt. Wanna read the book? You do if you know what’s good for you – and your soul, and your heart, but perhaps not your temporary emotional stability – it’s a bleak read, trust me. But- Woo! Emotional stability be damned! Get it here. PS. There had better not be aliens.

The Thomas Crown Affair

I just watched The Thomas Crown Affair on Monday (the 1968 Norman Jewison version), which landed on two stylish films lists recently (LA Times and Turner Classic Movies).  Sleek women like Lauren Santo Domingo refer to it as their sartorial inspiration. But I didn’t realize that it was set and filmed in Boston-it’s cool to see popular sites like the State House, Beacon Hill, Boston Common, Mt. Auburn Cemetary, and Crane’s Beach, among others.  It’s also available at Snell, so you can rent it and pick out your own favorite location (or outfit).   I think mine are their stroll by the Charles River, the Polo Scene at Myopia Hunt Club, Steve McQueen’s riding outfit, and Faye Dunaway’s dress.

Beautiful Boy

Tomorrow, I’m going to facilitate a discussion group of First Year Students around David Sheff’s memoir, Beautiful Boy.  I liked Beautiful Boy, even though addict (or parent of addict) memoirs aren’t one of my favorite genres.  Sheff really focuses on the details and specifics of his family, so I felt like I had a clear understanding of his son Nic–the music he liked to listen to, his favorite clothes, and where he liked to surf.  I’m looking forward to tomorrow’s discussion and hearing more from the new students.  This week, I’ve fortuitously encountered a few articles that mention the Sheffs in light of Julie Myerson’s The Lost Child, which her son (the book’s subject) rejects as being an incomplete and unfair story. It certainly made me think that being a writer’s family member could be tough, particularly if you cling to your privacy.   If anyone else has read Beautiful Boy, I’d like to hear your take too!

Green Masterpieces

On Wednesday, September 2nd the Boston Landmarks Orchestra will present “Green Masterpieces”, a free concert at the Hatch Shell on the Esplanade. The concert, which begins at 7:00 PM will feature nature-themed pieces by Mendelssohn, Mozart, Handel and others. NU’s very own Michael Dukakis will be narrating The Story of Frederick Law Olmsted by Thomas Oboe Lee. This will be a carbon-neutral concert because all emissions generated by it will be offset. The Hatch Shell is just a short walk from the Green Line’s Arlington stop.

Lord of the Flies

I recently read an interesting post on William Golding and Lord of the Flies that I wanted to share.  (As a warning, the post gives away part of the book’s ending.)  A new biography by John Carey details Golding’s rather unpleasant personal history, including his attempted rape of a 15 year-old girl when he was 18.  I never had to read the Lord of the Flies for school, and last year I added it to my TBR list (as an alternate selection).  I tried reading it, but like Kim, couldn’t really get into it.  I read the first quarter of the book and don’t see its appeal, but I know enough people who recommend it that maybe I’ll need to give it another chance in the future. I think that there’s no harm in discussing an author’s biography (though fourth grade seems awfully young to delve into either the themes of the book or Golding), but I often found that diving into an author’s history (whether heroic or unsavory), paled in comparison to discussing the dramas of the story itself. What do you think? About William Golding, Lord of the Flies, or learning more about the cruel parts of an author’s (or artist’s, or historical figure’s) past?