Sweden

Don’t play with this fire; it’s addictive

So I am almost done reading The Girl Who Played with Fire. Good book. I must say I loved The Girl with the Dragon Tattoo, but this second novel gets to the heart of the action in the perfect amount of time. Dragon Tattoo had about 100 pages in the beginning that in my opinion could seriously have been reduced or cut out. I am also currently watching the Dragon Tattoo on Netflix. The movie is from 2009 and subtitled since it is a Swedish film. What I was surprised to discover as well was that The Girl Who Played with Fire is currently in theaters! When I was checking out times for the new movie, Inception, I was taken aback! I had no idea that the books had reached such a wide audience that Swedish films were being played in the movie theaters here in the US. I am definitely not going to see this movie until I finish the second book… but it’s a good thing I only have about 100 pages left. I must say something about The Girl with the Dragon Tattoo movie. I was told it was good and I would really like it, but it jumps into the action almost too fast. The slow start that the book had is completely negated by the quick jump that the movie takes. I also think that Lisbeth Salander’s character is seen in a very different light in the movie. In the book, Larsson is able to give context and Lisbeth’s thoughts behind her actions. In the movie she simply comes across as a tattooed, pierced, black-clothes-wearing feminist vigilante. I don’t think the viewers really get an idea of her character. Maybe in the Fire movie you see more of her personality, as the book focuses mostly on her. Overall I am loving the second novel and can’t wait to finish it. The movies… definitely for people who have read the book. Now I’m just waiting for an English version to come out so I don’t have to focus on subtitles!! All three of Larsson’s novels can be found in Snell library… but good luck taking them out… you’ll have to get in line!

The Girl with the Dragon Tattoo

February may be Black History Month, December may be the ‘Holiday Season,’ June 21st may be the summer solstice, but September will always be, for me, Swedish Mystery Month. Last September I reviewed Henning Mankell’s Firewall on this same blog, and recently I have begun reading the most page-turning mystery I’ve come across since that book– which also happens to be from Sweden. The Girl with the Dragon Tattoo was written by Stieg Larsson (1954-2004), who died of a sudden heart attack shortly after completing this book and its’ sequel, The Girl who Played with Fire. (Both books are available through NExpress).That Larsson’s death was considered suspicious by some, who suspected a possible murder due to the death threats Larsson received for his left-wing political journalism, is probably untrue though highly (creepily) appropriate in relation to his book. The Girl with the Dragon Tattoo is a book that is infused with the threat of conspiracy and uses the often shady world of news journalism as its’ background. The book is also a compendium of a handful of mystery sub-genres, albeit ones that are so specific they have no names. There is the Financial/Business-Intrigue story, which we are first introduced to when we meet the protagonist Mikael Blomkvist, a wealthy journalist and co-publisher of Millenium magazine, who has recently been sued for libel by a wealthy industrialist and will soon be spending some time in prison. He is at risk of losing his job and Millenium is at risk of going under, both which are causing a rift between him and his publishing partner-cum-lover, Erika Berger. Yet when he is hired by a wealthy, retired capitalist, Henrik Vanger, to investigate the dissappearence of the latter’s niece, his prospects start looking better. Before long Henrik has become a partner of Millenium magazine, although  this partnership as well as his obsession over his missing niece reek of personal agenda. The second sub-genre is the pulpy, blackmail story. In another plot thread, a young girl with  a troubled past has been hired as a reporter at a separate magazine. Her name is Lisbeth Salander, and while own her journalistic expertise is not in question, her own safety, and mental acuity, is. She has been assigned to a new social worker, as her mother is wasting away in a nursing home and she has had many run-ins with the law. But her mistrust of virtually everybody and her disregard of journalistic ethics– she is assigned to do a profile of Mikael Blomkvist– will undoubtedly come in to question. I will not give away the blackmail part or the sensational part of this story, as I do not know where it will end up myself. The third sub-genre is the love-affair scandal story. Blomkvist begins an affair with the daughter-in-law of Henrik Vanger, who lives nearby, alone and lonely. The affair seems innocent, but she may not be. The fourth, and overriding, sub-genre is the murder mystery. Was Vanger’s niece murdered? Is she still alive? Is the murderer still out there? There is evidence that points in all directions. The Girl with the Dragon Tattoo was a bestseller all over Europe in the past two years. It is written by a man who had an authentic background in the profession of journalism, and the writing style itself– while sometimes clumsy– has a journalistic precision to it. Although the title itself may be intriguing enough for a fun mystery read, the original Swedish title–Man Som Hatar Kvinnar— is even better; literally translated as ‘Men who Hate Women.’ There are certainly a few men who hate women in this overwrought, sprawling mystery, and a certain sociological context is always in the background, hinted at by the subtitles below each new ‘part’ of the book. I have not even finished the book myself, so this cannot be considered a true book review, but Stieg Larsson deserves to be read, for his compulsive readability, if nothing else.

Vacation Reading: Firewall

Firewall by Henning Mankell

By Damon Griffin

A good mystery book can be hard to find. There are so many of them, lining the shelves of bookstores in their colorful, trashy paperback designs, it can seem impossible to figure out which ones are worth your time and which are simply trashy paperbacks. The Swedish writer Henning Mankell is, in a way, no exception: his books are also sleekly color-coded, sometimes taking up most of a shelf in the Mystery section, with names such as The Fifth Woman, One Step Behind and Faceless Killers.

But his book Firewall, at least, certainly is a page-turner. Firewall begins with a man leaving his apartment to use an ATM down the street when he suddenly falls over and dies. The following chapters then follow Kurt Wallander, the recurring protagonist of Mankell’s novels, who is a police investigator in Malmo, Sweden. He is nearing fifty and is one of the top officers in the police department; he is also divorced, curmudgeonly and alone. When a taxi driver is murdered by two teenage girls, he is assigned to lead an investigation into the murder. At least one startling development happens every chapter; first, Wallander gets word of the man from Chapter One, who apparently died of a heart attack; then he begins to realize that he could not have died ‘naturally’ and that his death is intrinsically related to the Taxi drivers’ murder. Then, half of the Swedish county of Scania is caught in an electrical blackout. Then, one of the girls who murdered the Taxi driver is found dead, in a most gruesome way that happened to cause the blackout. Then, there is an attempt on Wallander’s life.

It is not unusual for a mystery novel to juxtapose the twists and turns of the mystery itself with the personal life of the detective or police officer at the center of the story. In between bouts of police procedural in Firewall, we follow Wallander as he places a singles ad in the classified section of a newspaper, speaks with his working, twenty-something daughter on the phone, meets up with an old friend who is about to move away and copes with a scandal that involves a photograph of him slapping one of the girls who committed the taxi driver murder. But the book employs a similar technique of shifting to various viewpoints as the story progresses; this is done infrequently and that is precisely why the technique is so startling and interesting. Mostly, we follow Wallander and hear his thoughts, but a chapter might end homing in on a character who is a complete stranger, allowing us to realize that they are one of the criminals Wallander is trying to catch. A chapter might also start in another country entirely; focusing on another character who we come to understand is the ultimate puppet master in the whole mystery, and spending an entire chapter on him. Mankell only makes the criminals seem ominous, elusive and cold when we are following the police force in its’ investigation, but when the focus occasionally shifts to the bad guys perspective, they are always portrayed as just as human as Kurt Wallander, and perhaps possessed by a similar mental thought process when working, even if they know considerably more than he does.

Firewall is a frequently silly book as well. There are logical inconsistencies, implausibilities and some dialogue that is so functional to the plot that it sounds awkward in a realistic sense. I suspect that this is not simply a translation problem. But Firewall is still one of the more fast-paced and delightful mysteries that I’ve come across recently and Mankell truly has the form nailed down.