Snell Library: 20th Anniversary Director’s Cut

Want to be a library star? This year marks the 20th anniversary of Snell Library, and we intend to celebrate. At the epicenter of our celebrations will be a web video that we need your help with. We’re inviting all current NU students who love the library for an on-camera interview this summer as part of the project. We want to  talk to you about what makes the library special and why you keep coming back. This could be you. Please contact Programming and Communications Comittee chair Tom Urell at t.urell@neu.edu or 617-373-8346. Please keep in mind that this project is still in development, so we may not be able to answer all questions as of now. Thanks, and we hope to hear from you!

Summertime, living’s easy

Our summer reading display is up. Go to the lobby and check out the large display case. All the visuals and designs are courtesy of Krissy Lattanzio. I still am debating putting some actual books up in the case, but not every book mentioned. I feel this would help grab people’s attention and make the display jump out. So there may be more to come.

Shades of Greatness: The Art of Negro League Baseball

In gallery 360, an travelling art exhibit on the Negro League baseball teams of the 20’s, 30’s and 40’s is currently on display. The display, titled “Shades of Greatness,” is a combination of oils, mixed media, photography and sculpture. The works highlight the importance of the Negro Leagues in African American culture. This exhibit may be considered a larger extension of the small display that can be seen on the first floor of the library. (See the blog post on that display here). The exhibit has been up since May 17th and will close on July 23rd. Gallery hours are Monday to Friday, 10am to 7pm. If you would like to schedule a group tour with LSCC, please contact LSCC@neu.edu or call 617-373-5845.

Summer goal-setting for academics

I like to share interesting and useful blog posts that I find, and this morning I read one that resonated with me because I’m gearing up to set goals for both the summer and the coming year. Chances are, you are, too! In higher ed, we tend to think of summer as “project time,” whether we’re gearing up to start researching for a new article or book, or finally turning our attention to something that’s been pushed to the back burner during the academic year. But so often, it seems like the summer’s over before we know it, and the projects haven’t gotten done. Kerry Ann Rockquemore writes a blog called “Career Advice” for Inside Higher Ed; her post this morning is “Support for Summer Writers: No More Post-Summer Regret.” Rockquemore offers useful advice on planning what she calls SMART goals: Specific, Measurable, Attractive, Realistic and Time-Framed. So, instead of your goal being “work on book,” it might be “complete first draft of chapter 2 by August 1st.” She advises that we look carefully at our calendars for the summer, making sure that time already committed to other things (vacation, conferences, etc.) is blocked out. Only then will we know exactly how much time we can devote to our summer goals and be able to make realistic plans. I know that I definitely work more effectively, and feel more of a sense of accomplishment, when I have a “to-do” list and can cross things off as they’re completed. But I do have a tendency to make those “work on book”-type goals that are vague and have no specific timeline, and now I can see that I’m setting myself up for failure by doing so. So, the first item on my to-do list for today is: “Look at calendar and determine specific schedule for working on summer projects.”

New Favorite DVD: Avant Garde: Experimental Shorts, 1922-1954 (vol. 3)

We can be thankful for Kino on Video; for years, they have been a faithful distributor of silent, neglected, provincial (but broadly interesting), and plain peculiar films. In the Snell DVD stacks sits a collection of experimental short films that Kino released a few years ago. It is volume three of a trilogy. Considering the subject matter, the DVD is handsomely packaged with a sleek blue cover, enticing bonus features, and not one but two discs. And what of the subject matter? Thirty or so films from off the beaten path of film history, culled from all over the world, made by various propagandists, intellectuals, artists and outright novices, all conforming in some way to the broad styles of surrealism and/or absurdism. The title of the collection is “Experimental” shorts. Of the films I was able watch, that title is apt. On disc one, one film called Rien Que Heures (Nothing but Time) stands out. It is a forty-six minute collage of images shot on the streets of Paris, from sunrise to sundown. There is something nostalgic about the way it is presented, in a plotless, wordless form; it gives the film the feel of a deeply recalled memory. Also on the first disc, I have to  recommend Tomatoes Another Day, a film made in 1930, at the advent of “talkies.” Apparently, the film– dealing with two lovers who encounter the woman’s husband when he unexpectedly returns home– was intended to be a parody of the obvious, unintentionally hilarious style of  early talkies. Thus, the acting style is incredibly bizarre; a deliberately non-expressive blend of dialogue and gestures. What it brought to my mind were the films of David Lynch, especially Eraserhead. Anybody familiar with his work is encouraged to see this film. Disc one also contains an early example of color animation, called Tarantella, while disc two starts with a piece of (deliberately?) amateur animation called Plague Summer. The film references “The Journal of Albion Moonlight” as the work it is based on. At first I thought that was a non-existent book, but when I looked it up on Amazon.com, I found that it does exist. It was an anti-war novel written by the poet and pacifist Kenneth Patchen. If nothing else, Avant Garde is a collection to be seen for the sake of its far-flung oddities rather than for great filmmaking. It could also be interesting to watch the film knowing that many of the people who made them were not professional filmmakers; Tomatoes Another Day director James Sibley Watson, for instance, was a publisher who made only three short films. It is worth mentioning that this DVD is only the third in a series. Snell does not own volumes 1 or 2. While inherently for an adventurous niche audience, I think it’s worth ordering